From the Editor: Hey Glassholes: ‘This American Life’ – IS DAISEY IS PROTECTING THE GIRL?

From the Editor:

In regards to the controversy surrounding MIKE DAISEY, I write to express my full support for THE AGONY AND ECSTASY OF STEVE JOBS as a creative work.

Theatres are not courtrooms, no matter how the monsterous public relations companies, recently hired by the parties involved, will now attempt to make them appear. Daisey is not the ultimate target — theatre, the arts, free expression is. As-is creative license and our ability to communicate critical ideas in a public arena.

The New York Times, and BBC documented the lion’s share of agregious faults in our new culture of slavery-by-proxy, highlighted by Daisey’s monologue. Second, it’s not rocket science to connect the dots: FoxCOnn hires Burston Marstellar • Apple Launches iPad • Daisey sandbagged by the glassholes.

But in this real world of corporate espionage, coercion, conspiracy and fraud, I predict this: Mike Daisey might be protecting the safety of the girl in China. Just a creative hunch.

Martin Belk, editor, ONE Magazine

ONE blogs – LISA DEL ROSSO / MARY FOLLIET – Theatrespace Review & Panel Report – The Agony of The New Yorker: MIKE DAISEY TRIUMPHS!

Mike Daisey in The Agony and The Ecstasy of Steve Jobs, directed by Jean-Michele Gregory, running at The Public Theater NYC. photo: Joan Marcus

There has been much press about Mike Daisey’s one-man show, “The Agony and the Ecstasy of Steve Jobs” down at The Public Theater on Lafayette Street in the Village. Much of it is good (a rave in The NY Times, and a three-week extension); bad (a rather poisonous, anonymous blurb in The New Yorker); and unwanted (Daisey has received both hate mail and death threats, apparently for his unwillingness to participate in the post-mortem deification of Steve Jobs).

But the anonymous blurb in The New Yorker interests me most, not because the writer was too much of a coward to sign his or her name to the objection, read more —>